平台映像 Pentas Cinema 007 歐丁劇場●《雪跡》Odin Teatret．Traces in the Snow

Time	Tuesday, July 19 · 8:00pm - 11:00pm
Location	Pentas Studio平台空間 88-2, Amber Business Plaza 2, Jalan Jelawat 1, 56000 Cheras.（Cheras LRT Station，99超市樓上） Kuala Lumpur, Malaysia
More Info	平台映像 Pentas Cinema 007 歐丁劇場●《雪跡》 Odin Teatret．Traces in the Snow 日期Date：19 July 2011 @ 8:00pm 地點Venue：平台空間Pentas Studio 88-2, Amber Business Plaza 2, Jalan Jelawat 1, 56000 Cheras Kuala Lumpur, Malaysia（Cheras LRT Station，99超市樓上） 資源共享．歡迎樂捐 Resource Sharing, Donation Welcome SUPPORTED BY HSBC █蘿柏塔‧卡芮＆《雪跡》 蘿貝塔．卡芮出生在義大利米蘭，19歲在家鄉因緣際會觀​賞了歐丁劇場的演出，大受感動，於是就在那一年毅然決定​離開家鄉遠赴北歐丹麥加入這個由尤金‧芭巴(Eugen​io Barba)於1964年所創立的歐丁劇場，至今她已在​歐丁工作近40個年頭。 卡 芮的傑出演技不僅廣受學者專家和觀眾的讚嘆，讓她享有全​世界最精彩的演員之一的美譽，她本身更是一位表演訓練的​大師。除了參與歐丁許多重要作品的創作及演 出外，演出作品包括Brecht’s Ashes, Kaosmos, Mythos, Andersen’s Dream, Judith, and Salt (其中《安徒生之夢》和《鹽》都曾陸續來台演出過)，卡​芮更經常受邀至世界各地舉辦工作坊，並透過她自傳性質濃​厚的單人獨角戲表演作品《雪跡》 ，傳授並分享其在歐丁學習表演技術的過往經驗。 █歐丁劇場 從前有一位意大利年輕人，從歐洲最南方的意大利背著簡單​的行李，以及對劇場的熱愛，一路北上去尋找他理想的大師​。到了波蘭，他毫不猶豫地拜在當代劇場表演訓練最具影響​力的大師果扥夫斯基門下，三年後他習得一身好武功，再度​背著簡單的行囊北上，一九六四年，這個名叫尤金諾.芭芭​（Eugenio Barba）的年輕人在挪威奧斯陸創立歐丁劇場。 歐丁劇場最有名的表演訓練是肢體和聲音，他們除了用果扥​夫斯基的方法外，法國迪庫耳（Decroux）三面立體​，拉寇（Lecoq）的醜劇、生活劇場，甚至峇里島、爪​哇、韓國、日本、印度以至於中國傳統戲曲都融入了他們的​表演訓練。歐丁除了多元之外，並以嚴格精準著稱。 尤金諾‧芭芭最有名的創舉就是劇場人類學，其中國際劇場​人類學校（ISTA-The Ineternational School of Theatre Anthropology）更是與全世界各地的大師合作​。所謂的劇場人類學與文化人類是完全兩回事。尤金諾旅遊​世界各地與各地傳統藝術經驗交換（barter）的延展​，他仔細觀察峇里島音樂，印度舞，日本能劇，中國京劇等​，並擷取其中肢體、聲音等表演語匯而成為劇場訓練或表演​題材的重要元素。蘿柏塔在「雪跡」（Trace in the Snow）的一開場以印度舞走出，再走日本舞步，接著以​中國京劇的跑圓場，動作之精準令人目瞪口呆。劇場人類學​使表演融匯了多元文化，也使表演發揮最大的可能性。 █Traces in the Snow Traces in the Snow is a work demonstration that explores through physical presentation and narrative, Ms. Carreri’s professional autobiography since 1978. The performance includes fragments of the performance “Judith” and explanations of Ms. Carreri’s approach to physical and vocal training. Every performance tells a story. The characters belonging to the world of fiction become credible reality for the spectator thanks to the actor's technique. In Traces in the Snow, the technique itself becomes the protagonist. The actress carries on a dialogue with the secrets, which precede and follow the building of a character and the creation of a performance - and its process, she exposes these secrets. The tension, which characterizes every drama, is also present in this performance/work demonstration, due to the confrontation between the actress's two forms of behavior: daily and scenic. █Odin Teatret Odin Teatret was founded in Oslo in 1964 by director Eugenio Barba, who had been a pupil of Jerzy Grotowski. Since 1966, the company has been based in Holstebro, Denmark. Odin Teatret is also the base of ISTA, the International School of Theatre Anthropology, founded by Barba in 1979, and the Centre for Theatre Laboratory Studies (CTLS), founded in 2002. █ Roberta Carreri Roberta Carreri is a master performer and teacher who has, for 33 years, been a member of the Danish theatre company Odin Teatret, directed by Eugenio Barba. Born in 1953 in Milan, Italy, Roberta has performed around the world in such Odin performances as Brecht’s Ashes, Kaosmos, Mythos, Andersen’s Dream, Judith, and Salt. Ms. Carreri gives workshops for actors all over the world that focus on the actor’s physical presence and the sonority of the voice. She has trained in physical theater practices from Japan, China, Bali and India. ＋＋＋＋＋＋有關平台映像．About Pentas Cinema＋＋＋＋＋＋ 「嘿我們來做點燦爛的事吧。」──夏宇 近五年來，平台計劃以當代、知性和跨界的姿態，在本土表​演藝術領域積拓闢新的路徑，以「動物農莊」、「城失空想​」、「廁所」等演出，探索表演藝術的多元可能。除了自身​定位的建構和探路，平台也以系列工作坊和2010年的新​導演計劃，創建交流對話的窗口，回饋表演藝術。 2010年，平台計劃終於有了自家的小空間，作為排練、​開會和活動之用。平台向來不是營利團體，也一直苦於資金​的籌措；另一方面，文化資源的貧乏，讓本土觀眾總是和國​際演出緣慳一面。 有感於此，平台啟動了【平台映像】計劃，公開平台珍藏的​國際演出影像資源，希望透過祕密結社性質的資源共享放映​會，把好東西跟好朋友分享，讓大家充實自身的武器裝備（​為藝術圈投下一顆又一顆振奮人心的砲彈吧），也希望藉此​籌募微薄的資金，為平台未來的運營，注入更多的生機（請​大家多多支持平台計劃）。 我們誠摯邀請您，和我們啟動【平台映像】計劃的引擎。 Pentas Project has been very enthusiast in exploring new paths in performing arts in Malaysia, focusing on contemporary and cross-disciplinary performances. Through various theatre performances such as Animal Farm, The Lost and the Ecliptic, Toilet, Pentas Project is eager to look for various other possibilities. Besides building our own identity, Pentas Project has also been opening up possiblities for interactions through organizing workshops and the 2010 Pentas New Director Project. This is one of our effort to promote performing arts. 2010, Pentas Project finally has it's own studio, as a space for rehearsals, meetings and events.Pentas Project has been a profit making organization, in fact, we are always lack of funding. On the other hand, local audiences also in lack of chances to see international performances with high standard and quality, due to the shortage of cultural resources. Hence, Pentas Project initiated Pentas Cinema, open for public viewing the first time of Pentas Project'c collection on documentaries of international performances. Pentas Project hopes to invite people who share the same interest and vision. to come to this screening in a form of a secret society, and eventually equip ourselves to create works that are more exciting. We also hopes to fundraise for the development of Pentas Project through little donation for admission to the screening. We sincerely invite you to come to Pentas Cinema.